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It when we put too much meaning behind a word, that the word itself become more destructive.Peter Andreas Thiel ( / t iː l/ born 11 October 1967) is a German-American billionaire entrepreneur, venture capitalist, and political activist. If Tyler was a homophobe, why would he be constantly collaborating with them, as well as clearly defending his use of the f-word as a connotation solely for a stupid individual, not a person sleeping with someone of the same sex… Its shock value, plain and simple, which has been a tactic for musicians for decades, whether it be songs involving drug use, anti-establishment, anarchism, atheism, or graphic sex talk. If Queerty truly thinks Tyler is 1 of the 52 ‘douche-iest’ individuals towards the LGBT community this year, then several new fact checkers should seriously be hired over there immediately… Someone in the overly homophobic rap industry, who has created the first ever rap collective, ofwgkta, with both an out, lesbian singer and producer (Syd tha Kid) and gay rapper (Frank Ocean), should be given way more credit than this. A song which also features Frank Ocean rapping “I’m high and I’m bi”…Īnd the white kids with n1gg3r friends who say the n-wordĪnd the ones that got called weird, ffag, b1tch, nerdĬause you was into jazz, kitty cats, and Steven SpielbergĪlways try to turn our’ color into black and whiteīut they’ll never change ‘em, never understand ‘em” You forgot this quote from ‘Oldie,’ off his most recent mix tape. As an out black artist, will Ocean be allowed to survive? And if he does succeed what will his influence be?
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If he’s not buried alive by an industry that doesn’t know what to do with him, and a media that doesn’t know how to cover him, and audiences who aren’t sure how to respond. So my thoughts keep turning from Tyler to Frank Ocean, who might be the Great Rap Hope. It’s a little like negative campaign ads–it’s ugly and exploitative but unfortunately it works. And each new artist quickly gets with that program if they want to be a star, which has clearly been Tyler’s game plan.
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By the time Tyler arrived on the scene (by the time Eminem had arrived earlier) there was a template in place, a formula. I think it’s worth trying to understand it even if you deplore it.īut you’re right– it is important for people to realize that for both Tyler and Eminem (to name just two of many) homophobia and misogyny isn’t about artistic expression but expediency. Let us Kev C: Well, I agree it wasn’t my intention to be an apologist for the genre. I think his bravado tweets and idiotic self-justifications will eventually give way to a realization that words do matter–especially if his friend Ocean stands up to him, even if only privately. Yeah, he’s young, but he can’t hide behind that excuse forever. Personally, I’m glad Tyler The Creator is being called out. Confronted with the reality that black rappers were selling to white audiences racial stereotypes they supposedly resented, rap music responded with a business-is-business shrug. And the commercialization of rap–whose biggest audience seems to be white suburban kids–calls into question just what this music is really about and who it is really for. Even as I understood its emergence as an expression of rage and frustraton by a forgotten people–appearances notwithstanding, rap has always been more about class than about race–I’ve always been repelled by its glamorization of thug culture, heedless misogyny, mindless homophobia–and epic hypocrisy.Īll those closet cases spewing F-bombs were/are to me as disgusting and pathetic as the Washington politicos who’ve used anti-gay legislation to hide themselves from their religious right constituents. Hardcore rap has its champions as a legitimate form of social protest, at least in its beginnings. I do like hip-hop (well, some), but hardcore or gangsta rap has never had any appeal for me.